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GOLDEN GLOBE WINNERS: 2006 Brokeback Mountain & Walk the Line Win Big by Wild About Movies publisher, Tim Nasson Updated January 17, 2006
The 63rd Annual Golden Globe Awards, televised on NBC last night, had no surprises, at all. OK. Maybe a tiny, tiny one. Heath Ledger didn't win Best Actor. But I didn't predict he would.
For a complete list of winners, scroll down. And tune back here later this week for Wild About Movies' predictions for the upcoming Academy Award nominations! Wild About Movies predicts the 2006 Golden Globe winners in red, below. Winners in blue, below.
BROKEBACK MOUNTAIN BROKEBACK MOUNTAIN THE CONSTANT GARDENER GOOD NIGHT, AND GOOD LUCK A HISTORY OF VIOLENCE MATCH POINT BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA MARIA BELLO FELICITY HUFFMAN FELICITY HUFFMAN GWYNETH PALTROW CHARLIZE THERON ZIYI ZHANG BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE - DRAMA RUSSELL CROWE PHILIP SEYMOUR HOFFMAN PHILIP SEYMOUR HOFFMAN CAPOTE TERRENCE HOWARD HEATH LEDGER DAVID STRATHAIRN
BEST MOTION PICTURE - MUSICAL OR COMEDY MRS. HENDERSON PRESENTS PRIDE & PREJUDICE THE PRODUCERS THE SQUID AND THE WHALE WALK THE LINE WALK THE LINE BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE - MUSICAL OR COMEDY JUDI DENCH KEIRA KNIGHTLEY LAURA LINNEY SARAH JESSICA PARKER THE FAMILY STONE REESE WITHERSPOON REESE WITHERSPOON BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE MUSICAL OR COMEDY PIERCE BROSNAN JEFF DANIELS JOHNNY DEPP NATHAN LANE CILLIAN MURPHY JOAQUIN PHOENIX JOAQUIN PHOENIX BEST FOREIGN LANGUAGE FILM KUNG FU HUSTLE (CHINA) MASTER OF THE CRIMSON ARMOR aka THE PROMISE (CHINA) MERRY CHRISTMAS (JOYEUX NOEL) (FRANCE) PARADISE NOW (PALESTINE) TSOTSI (SOUTH AFRICA) BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE SCARLETT JOHANSSON SHIRLEY MacLAINE FRANCES McDORMAND RACHEL WEISZ MICHELLE WILLIAMS BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE GEORGE CLOONEY MATT DILLON WILL FERRELL PAUL GIAMATTI BOB HOSKINS
WOODY ALLEN GEORGE CLOONEY PETER JACKSON ANG LEE BROKEBACK FERNANDO MEIRELLES STEVEN SPIELBERG BEST SCREENPLAY - MOTION PICTURE WOODY ALLEN GEORGE CLOONEY & GRANT HESLOV PAUL HAGGIS & BOBBY MORESCO TONY KUSHNER & ERIC ROTH LARRY McMURTRY & DIANA OSSANA LARRY McMURTRY & DIANA OSSANA BEST ORIGINAL SCORE - MOTION PICTURE ALEXANDRE DESPLAT JAMES NEWTON HOWARD GUSTAVO SANTAOLALLA HARRY GREGSON JOHN WILLIAMS
BEST ORIGINAL SONG - MOTION PICTURE “A LOVE THAT WILL NEVER GROW OLD” –- BROKEBACK MOUNTAIN “CHRISTMAS IN LOVE” — CHRISTMAS IN LOVE “THERE’S NOTHING LIKE A SHOW ON BROADWAY” — THE PRODUCERS “TRAVELIN’ THRU” — TRANSAMERICA “WUNDERKIND” — THE CHRONICLES OF NARNIA: THE LION, THE WITCH AND THE WARDROBE The Golden Globe Awards are pretty much a big joke. They are given out by a bunch of freeloading, no-name 'journalists,' wretched looking, slovenly creatures for the most part; the self described Hollywood Foreign Press Association, who live in Hollywood, (they have to live in Hollywood to become a member), but who write for foreign papers no one has heard of. The voters are a joke, who have happened, however, to command the attention of billion dollar movie studios and a myriad of mult-millionaire superstars. Most of the members of the HFPA do not regularly write about the stars they are sometimes flown half way around the world to 'interview.' (Each 'member' is required to provide only four clippings per year of movie related material, from any 'foreign' publication, no matter how small. It could be a self-published French coffee shop pamphlet, for instance.) If they work at all, they hold part time jobs, such as real estate agents, car salesmen, part-time teachers and film studio assistants. However, Hollywood, i.e. movie studios, who love free publicity, couldn't be happier when their films get a Golden Globe nod, especially one of the ten Best Picture nominations always up for grabs. And the studios kiss HFPA ass all year just for a chance at a Golden Globe Best Picture nomination. What is the difference between flying members of the United States (and bonafide international) press to film junkets, and putting them up in five star hotels? A big difference, if you ask me. The United States and legitimate foreign print and televsion press flown by movie studios, to and fro, to attend film junkets actually write for papers (and anchor televsion shows) that most in this country and every other country have heard of. They are not members of some group that was formed solely to live off the bum-kissing of Television and Movie studios. You can rest assured, the majority of Golden Globe nominees each year are from the studios who have put on the best buffets, who have accomodated the HFPA at the best hotels and who has given them access to the biggest and most A-list of A-list stars?
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